The LIFT - ScreenStage Poem by Sharon Reshef Armony
Created within a doctoral PaR at the School of Media and Performing Arts, Middlesex University, London, UK
Working directly with the artist, I had the pleasure of collaborating from the early stages of logistics and pre-production to the filming, editing and technical installations of the piece.
Managing a diverse team to execute a 70 minute live and projected performance over three floors of Middlesex University.
Artist and director: Sharon Reshef Armony
Creative performers: Marcelina Jasińska, Bryan Carvalho, Joe Grisdale
Filmmaker: Sarai Caprile
UK, 2021
Created within a doctoral PaR at the School of Media and Performing Arts, Middlesex University, London, UK
Working directly with the artist, I had the pleasure of collaborating from the early stages of logistics and pre-production to the filming, editing and technical installations of the piece.
Managing a diverse team to execute a 70 minute live and projected performance over three floors of Middlesex University.
Artist and director: Sharon Reshef Armony
Creative performers: Marcelina Jasińska, Bryan Carvalho, Joe Grisdale
Filmmaker: Sarai Caprile
UK, 2021
The LIFT is a ScreenStage performance, where the spectator travels in a public lift and its surrounds with the performers:
A man. A woman. A filmmaker.
In The LIFT is coexistence, a hybrid of live and virtual physical actions are being magnified by the lift as a site. The spectator is a voyager and a voyeur in a time-space of a live performance extended by virtual spaces.
A private experience in a social context.
How we negotiate such changing perceptions in the coexistence of the virtual projected phenomena with the live presence in the present, is core to the experience of this performance.
A man. A woman. A filmmaker.
In The LIFT is coexistence, a hybrid of live and virtual physical actions are being magnified by the lift as a site. The spectator is a voyager and a voyeur in a time-space of a live performance extended by virtual spaces.
A private experience in a social context.
How we negotiate such changing perceptions in the coexistence of the virtual projected phenomena with the live presence in the present, is core to the experience of this performance.
